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Progressive

In the woods… – Pure

In 1995, just as I was beginning to get into black metal, I bought a compilation album called Blackened which featured practically all of the leading black metal bands at the time. Many of them were of course from Norway, and one of those stood out from the rest in that they had already on their debut album HEart of the ages expanded the borders of the genre way beyond pretty much every other band. They used almost only clean (and absolutely great) singing, and also keyboards which made for a very atmospheric music. The band was called In The Woods… and naturally I soon bought their record, which still to this day is one of my favorite albums of all time. I will write a separate blog post about it later, but today I am extremely happy to present the brand new In The Woods… record, Pure!

The band split up in the year 2000, after putting out three albums and a series of vinyl singles of cover tunes. In 2014, the core trio of drummer Anders Kobro  and twin brothers Christopher and Christian Botteri on bass and guitar respectively announced that In the Woods… would reunite. Now featuring British/Irish vocalist James Fogarty they have been doing live shows throughout 2016, and now in September the new album Pure is released. You can listen to the full album right here on Rasmusic!

 

 

The record label put it online a few days ago and I have been listening to it over and over. It’s certainly has that very obvious In The Woods… sound, and it’s a lot more metal than their last album before the split, Strange in stereo. It is indeed an excellent record, and I love the fact that track 7, Towards the black surreal, includes a vocal melody from the opening track of the band’s debut album, as a kind of nod to their past. Fogarty often sounds eerily similar to the band’s old singer Jan Kenneth Transeth, their voices are so alike that it’s quite astonishing.

Below is a 20 minute interview from a few weeks ago where the band talks about the new album and why they decided to reunite after so many years.

The cover series: Pink Floyd mandolin covers

Have you ever been wondering what the songs of the legendary Pink Floyd aldum Dark side of the moon would sound like if they were played by a mandolin trio? Of course youe have! And now here is the answer, as Fausto Mesolella and two companions have arranged some of the songs for this rather unusual instrumentation.

Publicerat av Fausto Mesolella den 29 januari 2016

The cover series: The Unthanks & King Crimson

Playing a cover song is not as easy as one might think, at least not if it’s to be done well. Many bands try to sound as identical to the original artist as they can, and to me this is usually quite pointless. To make a cover interesting in my opinion, you have to add your own character to the song, not try to be a jukebox. In many cases this happens when artists cover a song from a totally different genre than they usually play.

This post introduces The cover series, where I present artists who do precisely this.
British sisters Becky and Rachel Unthanks, vocalists of The Unthanks, have their roots in English folk singing, and use that as the foundation for their music as it expands in different directions. Their rendition of one of King Crimson‘s most wonderful tracks, Starless, is utterly beautiful and haunting, with piano and a string quartet providing the accompaniment for the vocals and trumpet.

 

 

Below is King Crimson’s original song.